Between Charm and Magic

wallpaper-festival-of-lights-snowfall

Snowflakes, pouring down out of the boundless darkness of the night sky. Snowflakes, brilliant white in the headlights, accelerating willfully into the windshield. Big, silver dollar snowflakes, swirling into gentle collisions with each other, lacing together into strands of delicate snow garlands, that tumble down from the black void to the earth below.

Sitting in the backseat of the big station wagon, wedged between a bevy of sisters, I lean forward, over the front seat, over my younger brother’s head, leaning forward as though to meet the snowflakes in their headlong rush toward me.

My entire world is windshield and snow flying out of the darkness, framed by the bundled shoulders of my father and mother. Encased in a traveling snow globe, traversing the short distance between charm and magic.

Behind us, our tracks in the new fallen snow lead back to grandma and grandpa’s house, to rice pudding, cousins, aunts and uncles, back to the cozy, candle-lit charm of elder-family tradition.

Before us lies the untracked road to the magic of our glowing Christmas tree. From under its tinseled boughs spills a cascade of packages, awaiting our return.

Each Christmas Eve of my childhood, this same moment recurs. The same snowflakes, the same slow, gentle ride down the empty, white country road, the same suspension of all noise and haste. It is an enchanted moment, where contentment and anticipation merged into holy bliss.

The lingering contentment now sustains us as we ride, shoulders hunched in the frigid car, leaving behind us grandma’s warm house, with its dark aged furniture and pantry filled with foods she had canned herself, and old pictures upon the walls, a living shrine to family and heritage. We sat in ladder-backed chairs around the formal dining table, with china plates filled with rice pudding, white as snow, until buttered, cinnamoned, and brown-sugared into a luscious puddle of ocher goo, sipping heavy grape juice from cut glass goblets, partaking of the last supper from another era.

Anticipation builds as we approach our farmstead. We shall open the door of our simple home and spill into the quiet of the house, all eyes leaping to the tree – and the wonders beneath its blessing branches. There is a scramble to remove mittens, hats, coats, and boots; followed by a swarm into the living room, to form a ring of seven gaping children, taking in the gifts, wondering what each of the magnificent packages might contain.

But still, I am riding in the station wagon, gazing upon the holy white rain that falls from the heavens. Through some incantation of the nature sprites, this holiness has emerged from some high flung, amorphous mist, suspended there until that mystical, infinitesimal moment when out of it crystallizes the six-dimensional perfection of Snowflakes. And I am suspended there, in the car, in the heavens, in that holy moment, poised between charm and magic.

 

(I wrote this in 2003, inspired by the Dylan Thomas prose poem, A Child’s Christmas in Wales)

A Child’s Christmas in Wales

Inspired by Sister Madly’s  post about her (ahem) favorite Christmas Carols, I’ve decided to share what I consider to be the most charming Christmas film ever made – A Child’s Christmas in Wales, based upon the prose poem by Dylan Thomas.

I can’t believe our good fortune that  the entire film is available on youtube.

Anyone who appreciates a child’s perception of the world and the imaginative use of language and reminisces of bygone eras will love this.

I hope you do.